Eduardo Betancourt have a original and innovative new record project "AD LIBITUM"
he recreates several musical facets applied to his instrument, The harp.
Using the new harps CAMAC EC and ELECTRIC LLANERA built by the prestigious factory of Harps "Les Harpes Camac" France, he explores new sonorities applied to traditional Venezuelan music giving a refreshing contemporary sound.
This record have a great musicians; Lester Paredes (Soprano sax), Héctor Molina (Cuatro), Yonathan "Morocho" Gavidia (Percussion), Adolfo Herrera (Drums), Juan Ernesto Laya "Layita" (Maracas) Henry Paul Diaz (Electric Bass) and Edwin Arellano (Silent Bass) ; Eddy Marcano (Violinist), Rafael "Pollo" Brito (Vocalist), Edmar Castañeda (Harpist), José Delgado Composer and Venezuelan interpreter), Gerald "Chipi" Chacón Trumpeter.
Recorded and produced in Liqui2 Productions by Vladimir Quintero Mora (Latin Grammy Winner)
CREDITS:
Music production: Vladimir Quintero Mora / Eduardo Betancourt.
Arrangement: Eduardo Betancourt, except in Camac Dance by Arturo Cabrera
KalimbHarp: keyboards and Samuel Hernández programming.
Percussion Arrangements: Yonathan "Morocho" Gavidia and Eduardo Betancourt.
Executive Production: Eduardo Betancourt & Guataca Producciones A.C.
General Coordination, Editorial Production, Logistics, and Concepts: Rossi Yánez
Engineering of recording, editing, mixing and post-production: Vladimir Quintero Mora.
Recording assistant: Jesús López.
Recorded in: Liqui2 Estudios. (Caracas Venezuela).
Percussion recorded in: Twin Studio by Yonathan "Morocho" Gavidia
Harps Llaneras "Caramba and Mi Danza Única" recorded in Sonofilília Studios by Alejandro Zavala.
Voice of Rafael "Pollo" Brito in "Mi Danza Única" recorded at Audio Place by Jean Sánchez.
Arpa EC Llanera by Edmar Castañeda on the topic "Talla doble E" recorded in Harp y Voz Estudios (New York City)
Mixed in Liqui2 Studios and Personal Studio. (Caracas Venezuela)
Mastering: Jesús Jiménez. - Francesco Imbriaco
Adolfo Herrera is a Yamaha artist and plays Istanbul Mehmet Dishes exclusively.
Edwin Arellano is Yamaha Bass artist, D'AdarioStrings & accessories Planet Waves
Lester Paredes is a Yamaha Artist
Henry Paul Diaz is a Yamaha Artist
Yonathan "Morocho" Gavidia is CTM Monitors, Bosphorus Cymbals & Willy Mayo instruments artist.
Gerald "Chipi" Chacón is an Schagerl Artist.
Design:
Alejandro Calzadilla.
Photos:
Omar PonceLeón
THE HARP SCENE IN VENEZUELA is vibrant with young, enthusiastic and passionate musicians.
Since my very first visit to this country, I have been amazed by the enormous talent and dynamism of the new generation of harpists.
Eduardo Betancourt is undoubtedly a leader in his field, creating modern llanera music.
With his acoustic harp, he brings together traditional Venezuelan musical styles.
With his electric harp, he expands the horizons of his instrument,
carving out new identities for it in the twenty-first century.
I am extremely optimistic about the new paths Venezuelan harp music is exploring.
I am very proud to have made a contribution by building the electric llanera.
Eduardo Betancourt is one of the iconic harpists of this new age for the llanera harp, and his new CD AD LIBITUM will doubtless be considered a milestone in Venezuelan music production.
Jakez François
President of Camac Harps, France.
he recreates several musical facets applied to his instrument, The harp.
Using the new harps CAMAC EC and ELECTRIC LLANERA built by the prestigious factory of Harps "Les Harpes Camac" France, he explores new sonorities applied to traditional Venezuelan music giving a refreshing contemporary sound.
This record have a great musicians; Lester Paredes (Soprano sax), Héctor Molina (Cuatro), Yonathan "Morocho" Gavidia (Percussion), Adolfo Herrera (Drums), Juan Ernesto Laya "Layita" (Maracas) Henry Paul Diaz (Electric Bass) and Edwin Arellano (Silent Bass) ; Eddy Marcano (Violinist), Rafael "Pollo" Brito (Vocalist), Edmar Castañeda (Harpist), José Delgado Composer and Venezuelan interpreter), Gerald "Chipi" Chacón Trumpeter.
Recorded and produced in Liqui2 Productions by Vladimir Quintero Mora (Latin Grammy Winner)
CREDITS:
Music production: Vladimir Quintero Mora / Eduardo Betancourt.
Arrangement: Eduardo Betancourt, except in Camac Dance by Arturo Cabrera
KalimbHarp: keyboards and Samuel Hernández programming.
Percussion Arrangements: Yonathan "Morocho" Gavidia and Eduardo Betancourt.
Executive Production: Eduardo Betancourt & Guataca Producciones A.C.
General Coordination, Editorial Production, Logistics, and Concepts: Rossi Yánez
Engineering of recording, editing, mixing and post-production: Vladimir Quintero Mora.
Recording assistant: Jesús López.
Recorded in: Liqui2 Estudios. (Caracas Venezuela).
Percussion recorded in: Twin Studio by Yonathan "Morocho" Gavidia
Harps Llaneras "Caramba and Mi Danza Única" recorded in Sonofilília Studios by Alejandro Zavala.
Voice of Rafael "Pollo" Brito in "Mi Danza Única" recorded at Audio Place by Jean Sánchez.
Arpa EC Llanera by Edmar Castañeda on the topic "Talla doble E" recorded in Harp y Voz Estudios (New York City)
Mixed in Liqui2 Studios and Personal Studio. (Caracas Venezuela)
Mastering: Jesús Jiménez. - Francesco Imbriaco
Adolfo Herrera is a Yamaha artist and plays Istanbul Mehmet Dishes exclusively.
Edwin Arellano is Yamaha Bass artist, D'AdarioStrings & accessories Planet Waves
Lester Paredes is a Yamaha Artist
Henry Paul Diaz is a Yamaha Artist
Yonathan "Morocho" Gavidia is CTM Monitors, Bosphorus Cymbals & Willy Mayo instruments artist.
Gerald "Chipi" Chacón is an Schagerl Artist.
Design:
Alejandro Calzadilla.
Photos:
Omar PonceLeón
THE HARP SCENE IN VENEZUELA is vibrant with young, enthusiastic and passionate musicians.
Since my very first visit to this country, I have been amazed by the enormous talent and dynamism of the new generation of harpists.
Eduardo Betancourt is undoubtedly a leader in his field, creating modern llanera music.
With his acoustic harp, he brings together traditional Venezuelan musical styles.
With his electric harp, he expands the horizons of his instrument,
carving out new identities for it in the twenty-first century.
I am extremely optimistic about the new paths Venezuelan harp music is exploring.
I am very proud to have made a contribution by building the electric llanera.
Eduardo Betancourt is one of the iconic harpists of this new age for the llanera harp, and his new CD AD LIBITUM will doubtless be considered a milestone in Venezuelan music production.
Jakez François
President of Camac Harps, France.